Julius Eastman perfected his multifarious minimalism in three works of the late 1970s: Crazy Nigger, Evil Nigger, and Gay Guerrilla. Each work is scored for multiple instruments of the same kind. Co-presented with and taking place at The Knockdown Center , the concert features Evil Nigger and Crazy Nigger performed as a piano quartet by Joseph Kubera, Dynasty Battles, Michelle Cann, and Adam Tendler as well as Gay Guerrilla in a version for a large electric guitar ensemble scored by Dustin Hurt.
Julius Eastman: Evil Nigger (1979)
Adam Tendler, Dynasty Battles, Michelle Cann, and Joseph Kubera, pianos
Julius Eastman: Gay Guerrilla (1979)
Version for electric guitar ensemble scored by Dustin Hurt. Featuring Chris Cochrane, Shahzad Ismaily, Sara Landeau (The Julie Ruin), Taylor Levine and James Moore of Dither, Jordan Martin (Daphne), Ava Mendoza, Jade Payne (Aye Nako), Brandon Ross, Kenji Shinagawa, and Vorhees (Dana Wachs), among others.
Julius Eastman: Crazy Nigger (1979)
Adam Tendler, Dynasty Battles, Michelle Cann, and Joseph Kubera, pianos
January 28, 8pm
Tickets $25 General
Ticket link HERE
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The performance is part of “Julius Eastman: That Which is Fundamental,” curated by Tiona Nekkia McClodden and Dustin Hurt, organized by The Kitchen with the Eastman Estate and Bowerbird.
“Julius Eastman: That Which is Fundamental” is made possible with the generous support of Robert D. Bielecki Foundation and Paula Cooper; endowment support from Mary Flagler Cary Charitable Trust; annual grants from The Amphion Foundation, Inc., The Aaron Copland Fund for Music, Inc., Howard Gilman Foundation, and The Fan Fox and Leslie R. Samuels Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Original support for “That Which is Fundamental” was provided by The Pew Center for Arts & Heritage, Philadelphia.
Pianos for this performance have been generously provided by Yamaha.
7:30 at the Hug and Pint 171 Great Western Rd
£9 : tickets available at www.musicglue.com
Swn Festival 2017 Presents:
off // kilter
Sat 7th October 2017
Royal Welsh College of Music and Drama
£20 adv | 4:30pm | All Ages
As part of the new look Swn Festival, we are proud to announce a partnership with the Royal Welsh College of Music & Drama (RWCMD) to bring a new event to Cardiff on October 7th - off // kilter.
With a quieter, more experimental feel than some of the more raucous events hosted by Sŵn, off // kilter will give ticket holders the chance to be a part of several completely different musical experiences, in the impressive setting of the world-class Royal Welsh College.
From the raw, folk-infused songs of RICHARD DAWSON, to the experimental sounds of Welsh electronic duo Cotton Wolf via the haunting vocals of RHAIN, a theatrical performance by Ed Dowie, to the eclectic ambient pop vibes of Vorhees.
Promoter and Sŵn Festival co-founder, John Rostron, said: “With this year’s new format for Sŵn, we wanted to create events that were not previously possible within the confines of one weekend and limited venues and audience.
“For the first time, we’re bringing a group of artists you wouldn’t necessarily expect to find at the Royal Welsh College. Performances will alternate between spaces so you can come and watch all half dozen. It’s a more off kilter version of Sŵn, hence the name. We want people to go on a journey through electronics, sonics and voice with some remarkable talent in a beautiful building.”
To read John’s blog about the event and how it came to be, click here:https://medium.com/p/d4ad00d2f69d
No alcohol is allowed in the Dora Stoutzker Hall but it can be consumed in the lobby where there'll be performances.
facebook event here
Vorhees will be accompanying Lizzie Bougatsos (Gang Gang Dance/I.U.D) with Brendan Canty (Fugazi/Deathfix) to honor Yoko Ono at the Hirshhorn Museum September 17.
FREE (donation suggested)
Onassis Cultural Center Athens Greece
Event info & Tickets here: http://www.sgt.gr/eng/SPG1726/
Ballet, traditional Greek dances, majorette moves and movements from labour demonstrations: in a quartet, four outstanding dancers with different styles draw their inspiration from unrelated sources and perform four solos which unfold simultaneously. The common thread running through all four is the word ‘want’, which is repeated at the start of the piece and haunts it through to the end.
Through a choreography rooted on a precision of movement which must have taken countless hours of rehearsal to master, Heather Kravas, a choreographer with Greek roots, experiments with its elements through the whole, highlighting the moments of unanimity, points of tension, and clashes that reveal fragmentation. She studies how the repetition of motifs through the imposition of unity can reveal difference.
Ultimately, can the individual units with their divergent goals form a group? How do exception and conflict work? Where does ‘we’ end and ‘they’ begin? This performance puts our socially accepted norms and beliefs under the microscope, and the production’s minimalist lens reveals conventions of every sort. How far can our ‘wants’ extend when others’ ‘wants’ begin?
Choreographer: Heather Kravas
Performers: Oren Barnoy, Cecilia Lisa Eliceche, Jennifer Kjos, Liz Santoro
Composer/Musician: Dana Wachs
Lighting Designer: Madeline Best
Lighting Supervisor: Elliott Jenetopulos
Scenographer: Jason Starkie
Production Assistant: Sara Jinks
Supporters: On the Boards, Performance Space 122, The Kitchen, 4Culture, MAP Foundation, National Performance Network, CCN à Belfort, PACT/Zollverein
146 Broadway Brooklyn NY
RSVP required. Location will be disclosed upon RSVP to email@example.com.
Camille Obering Fine Art and Matthew Day Jackson are pleased to present Rural Violence III (Rebirth) Saturday, August 6th, 2016 written and directed by Brandon Stosuy and accompanying exhibition Invocation/Remnant, opening Friday August 5th, 2016, curated by Andy Kincaid and Camille Obering with performance written and directed by Brandon Stosuy.
Rural Violence is a multi-part performance art piece conceived by Brandon Stosuy. The first iteration took place in a church in Troy, New York, the second performance took place at Matthew Barney’s REMAINS in New York, NY; and the third will take place in Jackson Hole WY at The Guesthouse. A total of 6 performances will take place and Dashwood Books will publish a book documenting the series of performances.
In Brandon Stosuy’s words, “We use the term “rural violence,” but not only in the sense of small-town crime, packs of skinheads, the KKK. Not necessarily an ugly fight or murder. It’s the violence of nature and the natural world. Things that happen, and that seem brutal, but are part of the cycle of things: the moment after salmon spawn, and their corpses pile up in the shallows of a river. It’s eerie, but gorgeous, and also mundane. We are looking at moments that feel violent, but also maybe beautiful, and then we’re suspending and zooming in. We’re also ritualizing these things in a very human sense.” Rural Violence III (Rebirth) will explore these ideas further, encouraging the audience to reflect on themselves and greater society. The performance will ask viewers to consider: destruction verses creation; humanity’s animalistic instincts such as dominance, submission, struggle, and proliferation; persecution of the innocent; awareness of our participation in violence/destruction when it is sanitized for us via food production, war, and nearly all luxuries we are accustomed to; tensions created between what is natural and what is amoral; death and destruction leading to life and enlightenment.
Invocation/Remnant, presented as a companion to Rural Violence III, will pull from the content of the performance and include the work of Mathew Barney, Matthew Day Jackson and Lionel Maunz, as well as George Clarke and Dana Wachs, who will perform an invocation, calling up the following day's performance. Camille Obering Fine Art and Matthew Day Jackson hope to foster an environment for artists to explore and present new ideas and to nurture exchange of ideas between people.